ERIC MADIS and PAUL ANASTASIO
The music of guitarist-singer-composer Eric Madis reflects his diverse and deep roots in American music: blues, jazz, country and Hawaiian. Eric has released five CD’s on Luna Records, and his music has appeared on film soundtracks, television and radio. Although best known for his solo and group work, Eric’s guitar artistry has appeared on numerous recordings and he has performed with a diversity of recording artists, including Chicago bluesman Big Walter Horton, Hawaii’s Fabulous Farden Family, ukulele virtuoso Bill Tapia, swing violinist Paul Anastasio, and poet-author Nicki Grimes. Eric was a 1981 Kerrville Festival New Folk finalist, a 1991 Seattle Guitar Starz finalist, and he has received multiple award nominations from Washington Blues Society and the Northwest Area Music Association. Eric has taught guitar classes and workshops throughout the US and Canada, currently teaches for Dusty Strings Music School in Seattle and his online guitar lessons with JamPlay.com are popular worldwide.
Paul Anastasio began studying the violin at age nine. Initially classically trained, he soon began exploring the worlds of American popular and folk music, performing as part of a bluegrass band and competing in fiddle contests while still in his teens. He soon found himself distracted from fiddle hoedowns by the hot sounds of swing violin and western swing fiddling. In the mid-1970s Paul had the good fortune to meet the great jazz violinist Joe Venuti. Joe regularly invited Paul to perform with him on stage in a Seattle club. Paul only found out later that he had had the distinct honor of being the only student ever invited to study at Joe's home in Seattle. After Joe's death Paul continued an intensive study of Venuti's style, and today he is considered one of the foremost authorities on Venuti's passionate, swinging approach to jazz violin.
At about the same time Paul began his studies with Joe, he began working on the road in the band of country music legend Merle Haggard. This was to be the first of several jobs he would work with top western swing and country music bands including Asleep at the Wheel, Larry Gatlin and Loretta Lynn. After performing in all fifty states, traveling over a million miles on band buses and eating in truck stops for the better part of ten years, he decided that he had enjoyed as much as he could stand and returned to his native Pacific Northwest.
Today Paul is considered not only a fine performer but a respected popular music historian as well, as he has spent over thirty years seriously studying the role of the violin in American popular music. He has had the opportunity to study informally with the best fiddlers on the music scene, including country and western swing legends Cliff Bruner, Joe Holley, Johnny Gimble and Buddy Spicher. He is in great demand as an instructor at summer music camps throughout the U.S. and Canada, is Review Editor and writes a regular column for Fiddler Magazine and teaches privately as well.