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Calendar of Events

There's always something going on at the Rockfish Grill and Anacortes Brewery. Check out our calendar for upcoming special events. Visit the Rockfish Grill for live entertainment including the best in jazz, blues and beyond.

Here is What's Happening at The Rockfish Grill

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Saturday, August 1, 2009


David Brewer. Big? Yeah! Intimidating? Maybe. Dull? Never! And definitely talented. All those years of playing blues rooms have accomplished a very good thing. They've created a seasoned player with a sly knack for catchy songwriting, monster guitar chops and near genre-perfect banged-up vocals.

Brewer's been living the life of a bluesman for 35 years. Although he was born and still lives in Seattle, his mom is from Florida and his dad is from Tennessee. He went to high school in Hawaii with Gabby Pahinui's kids. He's part Seminole and very proud of his American Indian heritage. After a tour in Vietnam, in 1969, he made his way back to Seattle via Texas. Once back, he toured for 2 years with Albert Collins. David toured Europe in 94' and 95'. He's won The Washington Blues Society's awards for “Best Guitar Player” and “Best Songwriter” several times. He weathered good times and bad and shared the stage with some of the biggest names in the blues.

Monday, August 3, 2009


Join us for Dinner and a Movie! Every Monday night stop by the Rockfish, order from our Dinner and a Movie menu and receive a ticket to the Anacortes Cinema located right across the street. Movie tickets are good for 30 days from date of issue.
Wednesday, August 5, 2009


It's our monthly Jazz invitational hosted by Frankly Moanin'. Join us for the best in mainstream jazz with special surprise guests, 6 - 9 PM the first Wednesday of every month.
Thursday, August 6, 2009


Dikki Du (Troy Carrier) was born in 1969 in Church Point, Louisiana and discovered his love for zydeco music at the tender age of nine. After school he would get together with his brother Chubby, sister Elaine and father Roy to play Zydeco music.

At the age of twelve Troy moved to a little town called "Lawtell", where his father had owned the Offshore Lounge for over fifteen years. Troy played the washboard for Roy Carrier, his father, on local gigs. He then joined forces with the great C.J. Chenier for two years. Troy's brother Chubby Carrier then started a family band and offered Troy a job playing the drums. Troy toured with his brother from the late 80's until the 90's, when he returned home to pick up the accordion.

It has now been eight years that Dikki Du and the Zydeco Krewe have been on the scene. Dikki Du has incorporated his musical heritage with unique experience to create one of the most innovative zydeco groups around. His original funky and hypnotic zydeco style announces that he has arrived, occupying a spot with the best in his field.

"Personally the triple row is the sound that I like the best". says Dikki Du. He takes songs from classic zydeco and turns the inside out with fresh and funky renditions driving it to the next level. The krewe’s innovations revitalize zydeco charging it for years to come.
Friday, August 7, 2009


When one thinks of award-winning instrumentalists in the rhythm-and-blues realm, the trombone is definitely not the first instrument that comes to mind. Most of the trophies in this game, at least on the national level, seem to go to electric guitarists, with the occasional harmonica player, keyboardist, or saxophonist picking up an award or two along the way. That makes Randy Oxford the proverbial "big frog" in the very small pond of blues-based trombonists, having chalked up more than twenty awards from the Washington Blues Society and similar Northwest organizations over the course of his career. This year finds the restlessly creative trombonist sporting a new band and a brand-new CD with a title that reflects his current musical orientation: MEMPHIS TO MOTOWN.

Born in 1960 in Seattle's Ballard district, Oxford heard a wide range of music from his parents' record collection during his formative years, and when he moved with his family to Chicago at age eleven, the listening opportunities only increased. "My parents played classical, jazz, pop, and even some Sousa," he recalls. "George Shearing was a big favorite on the record player as was Peggy Lee, Boots Randolph, Henry Mancini, Sinatra, Stan Kenton, Buddy Rich, Woody Herman, Ella Fitzgerald, Louis Armstrong, Crosby, and of course, Tommy Dorsey. My parents would go out to the London House in Chicago and see many of these groups perform live, and then they would come home with their albums and play them all day long. They would take me to see the Chicago Symphony one week and then Stan Kenton the next week. I learned early on that there was a whole wide world full of all kinds of music out there, and I felt very lucky to be around it at such an early age."

As a result of one cultural outing in particular, the young Randy Oxford discovered his lifelong instrument and took it up during his sixth-grade school year. "My dad always had a fascination with brass," Oxford explains, "and he took me to see "The Music Man", which had great music in it, including "76 Trombones". That looked like a lot of fun, so I gave it a go. The school really needed someone to step up and take on the trombone, as most kids wanted to play trumpet, sax, and drums."

After high school, Oxford was encouraged by his father to try out for the Army band. "The audition consisted of traveling to the Great Lakes naval Base in Chicago and going into a room full of military musicians who sat there and judged your ability to sight read sheet music," he recalls. "The sheet music covered many different styles, tempos, and dynamics. Luckily for me, I had four solid years in my high school band, where we did lots of sight reading of all kinds of music, so I was well prepared. After the audition, they said that they had an open spot for a trombone player in Europe. Once I was guaranteed a spot in Europe, I was ready to sign the papers."

After a chilly winter's boot camp in Missouri, Oxford was sent to the Armed Forces School of Music in Norfolk, Virginia. The course, which lasted nearly a year, combined musicians from all four branches of the Service for a curriculum that encompassed everything from symphonic music to swing and involved plenty of music theory and sight reading. "One amazing thing to me at the time, coming right out of high school, was that I was getting paid to attend this School of Music instead of paying to go to a dreaded college!" Oxford marvels.

Assigned to Berlin, Oxford gained invaluable experience in many countries and settings, playing to military and civilian audiences alike. "We had an Army group called The Ambassadors of Jazz that played American big-band swing all over Europe," he explains, "and the Europeans just went crazy for it! I found out that many of the old-school Big Band musicians were living in Berlin. I met Al Porcino, the legendary trumpet player from the Woody Herman, Stan Kenton, and Buddy Rich bands, and he asked me to join his big band. This was the ultimate school of music for me."

In 1981 Oxford returned home to the States, transferring to fill a trombone spot in the band stationed at Fort Ord, California, near Monterey. Once there, he lost no time in connecting with the local music scene. He worked with many groups, including the swing-oriented Monterey Peninsula Big Band, but his most influential experience came from a three-year stint with the Broadway Blues Band, a Santa Cruz ensemble whose instrumentation included a Hammond B3 organ and a three-piece horn section. "This is the band that really got me started on the blues," he explains. "All the old blues classics were played with this band, and we played at the 25th annual Monterey Jazz Festival. It was a blast!"

After finishing his military service in 1984, Oxford rteturned to the Seattle area and became a regular at the blues jam at Ballard's Owl Cafe wher he met Seattle keyboard and harmonica legend Dick Powell. Powell told him that guitarist Mark Whitman and his band Duo Glide might be looking for a trombonist. "I sat in with them, and they asked me to join the band," he recalls. "That led to shows and recordings with Jr. Cadillac, Little Bill and The Bluenotes, Fat Cat, Junkyard Jane, Nicole Fournier, and now finally The Randy Oxford Band."

Although he had recorded with Al Porcino, The Ambassadors of Jazz, and even his high school bands, Oxford made his first Northwest album as a result of joining the immensely popular roots-rock band Jr. Cadillac, participating in a 20th anniversary cassette album recorded live in 1988 at the Seattle Sheraton. Early the following year, probably with Cadillac, Oxford played a 50th birthday celebration honoring Northwest rock-and-roll legend Little Bill Engelhart, and Engelhart was so impressed with Oxford's playing that he invited him to join his band. Eighteen years later, Oxford still views the eight years spent with Little Bill and The Bluenotes as his most important learning experience. "Little Bill is my main mentor in the blues," he says. "He really taught me how to play the blues and live the blues. He taught me how to survive the tough times in the music biz and how to keep a band working year after year. He is why I am still going strong in this tough music business today."

In 1998, Oxford started jamming with a new, eclectically styled Tacoma band called Junkyard Jane whose "swampabilly blues" repertoire relied heavily on original material. During Oxford's three-year tenure the band made three CD's, achieved great local popularity, and placed as one of the top eight entries in a Memphis-based national Battle of the Bands competition.

After leaving Junkyard Jane in 2001, Oxford decided to take what he had learned about the music business and turn it into an enterprise that would help to build and strengthen the local blues community. Beginning at the now-defunct Jake's Alehouse in Federal Way, he started hosting weekly jam sessions at appropriate venues in the Puget Sound area. "I wanted to help musicians hook up and find bands and gigs," he explains, "so I started hosting blues jam sessions and started my own booking agency, Oxford Entertainment. Now I can help bands form and find new players from the blues jams that I host. Then I can help them find gigs through my booking agency."

One of the happiest results of Oxford's jam sessions was the discovery of the personnel that comprised the first Randy Oxford Band. Bassist Jack Kinney, originally from southern California, had toured with such legendary rockers as the Ventures, the Coasters, and the Isley Brothers before settling in the Northwest and joining Oxford. Singer/guitarist Jerry Lee Davidson had left his native Seattle as a musically restless teenager in the early 1970's to try his luck in Chicago's thriving folk and blues circles, eventually working with a pantheon of artists ranging from Willie Dixon to Willie Nelson to Chuck Berry. Singer/songwriter/guitarist Virginia Klemens had also made her mark on the Chicago music scene at a young age, fronting her own bands as well as working with artists like Doc Watson, Maria Muldaur, and bluesman Homesick James.

With the discovery of drummer/vocalist Riky Hudson, a Little Rock, Arkansas native with a diverse musical background, the band was complete. Its debut CD ALL THE BUZZ, released in late 2004, was a masterful integration of tradition and creativity, spanning an uncommonly wide range of eras and sources. It earned Oxford a 2005 award for Best Blues Recording from the Washington Blues Society.

The following year, however, Randy Oxford surprised the local blues community with a decision to break up his highly successful band and start over, explaining to the Tacoma NEWS TRIBUNE last November that he felt the band had "hit a plateau" and needed a more diverse repertoire and more showmanship to attract a larger audience. Drawing on the vast resource pool of musicians discovered at his popular weekly jam sessions, he put together a new Randy Oxford Band, keeping only guitarist Steve Blood and drummer Riky Hudson. The title of his recently released CD, MEMPHIS TO MOTOWN, reflects the change. "To be a modern day 21st century Blues band," he explains in his liner notes, "you have to branch out and embrace a style called "Americana", which includes R&B, Funk, Motown, Jazz, and all kinds of sounds wrapped around a Blues core."

Although this disc certainly displays a new sound, it's a far cry from the banal, commercialistic sellout that this hard-core traditionalist critic might have feared. Steve Blood and guest guitarist Dean Reichert contribute wonderfully complementary solos to such straight-ahead blues as Keb Mo's "Dirty low Down and Bad", Denise LaSalle's "Someone Else Is Steppin' In", and Delbert McClinton's "Go On". "Honey", a slow, minor-key blues co-written and sung by new bassist Dominique Stone, gets an expressive guitar solo from Steve Blood that calls B.B. King to mind. Heather Rayburn, a native Texan who serves as primary lead vocalist, delivers most of her songs in a muscular, up-front contralto, but on Mildred Anderson's Forties-era blues "Cool Kind of Poppa", she employs what Oxford calls a "Betty Boop" style that evokes Maria Muldaur'supper range.

Since the Randy Oxford Band had already included the James Brown hit "Think" on its first release, the Memphis-to-Motown soul-music connection that defines its latest album constitutes more of an emphasis shift than a new direction. Consequently, the material here that doesn't strictly qualify as blues encompasses Elvin Bishop's gospelesque "I'll Be Glad", the fun-loving funk of Johnny "Guitar" Watson's "Bow Wow", and a couple of Motor City hits from the early Seventies led by Dominique Stone. The best of these latter tracks is Marvin Gaye's protest anthem "What's Going On", backed by tight, refreshing vocal harmony from the band. The closest thing to contemporary pop on this album is Joan Osborne's haunting "Safety In Numbers", which Heather Rayburn delivers in a sensitive, country-influenced style that further showcases her versatility.

Throughout the program, Randy Oxford utilizes the trombone's full range of tonal possibilities, riffing convincingly with the guitarists and taking solos that reflect the heat and spice of New Orleans or the cool of the Tommy Dorsey era as the situation demands. "I think that you will enjoy the "Americana" style of Blues that my band is exploring these days," he says in his new CD's liner notes. Like his previous release, MEMPHIS TO MOTOWN can be purchased at live shows and on his website,
Saturday, August 8, 2009


Kolvane is a lifetime musician and artist who founded Portland’s Rose City Kings in 2002. In 4 short years, Kolvane moved the band from obscurity to notoriety releasing three critically acclaimed albums, touring with Chicago Blues legend Jody Williams as his personal band, breaking into the Top 50 Roots Music Report in the Roots Blues category and continuing as the highest ranked self-released album on the chart for several weeks.

In the first quarter of 09, Kolvane's "Cool Baby" single reached and held the #1 spot on the Blues Singles category for two consecutive months on Cashbox Magazine's music chart. KOLVANE beat out other recognized acts such as Elvin Bishop, The Mannish Boys and Tab Benoit. Notably, Cool Baby has also received attention beyond the confines of the Blues genre, becoming a Top 20 hit on Cashbox's Beach Music chart.

Cashbox Magazine along with Billboard magazine are legendary music charting and entertainment magazines. Cashbox numbers are based on radio airplay, Internet voting, Soundscan, jukebox airplay, and other proprietary methods.

Well-known Portland Blues musician Curtis Salgado praised Kolvane and said: "When I first met Kolvane I knew here was a guy with great songs with catchy hooks and a vision for his music career. This is a well deserved number one."

Long time Portland music industry expert Terry Currier said: "Charting at #1 is great for any artist. For an artist today to do it, when over 75,000 releases are put out each year, it's an incredible feat. It's a testament to the music, hard work and well executed plan.".

With the Rose City Kings, Kolvane gained instant notoriety with his songs Devil In My Shoes and Biscuits and Gravy, which in the spring of 2006 spent 2 months in the Top Ten of RadioWave Monitor’s Contemporary Blues chart. Rose City Kings was reformed and changed its name to KOLVANE. Over the last 7 years, the band has received numerous awards and recognition.
Tuesday, August 11, 2009


Don't feel like cooking? Bring the family to the Rockfish Grill on Tuesday where kids twelve and under eat free all day (One child entree complimentary with each adult entree purchased).
Wednesday, August 12, 2009


Its the bad boys of bluegrass, the Stilly River Band. If you're lookin for a combination of Bill Monroe and the Temptations, then these are your guys!

Friday, August 14, 2009


Not every band is capable of producing powerful music, the kind that brings old souls to tears and young ones to their feet. But the Shoemaker Brothers, four siblings from Shelton, Washington, are not only capable of producing it—it is their only product. Theirs is the kind of music that evokes emotion; many an audience has fallen in love with their passion for and their commitment to their art. Their soulful sound is founded on classical strings and cultivated by American folk but grounded in a rock ‘n’ roll sensibility that keeps it fresh. The Brothers’ warm, homegrown vocals showcase lyrics that deal with issues that touch many American lives. In early January, they released a self-titled album before embarking upon a tour that will take them to the nation’s four corners.

Consisting of Samuel on the violin, Nathanael on the cello, Daniel on the viola, and Gabriel on the violin, the Brothers grew up as four of seven children—all of whom began their musical education at a very young age. Growing up, they performed as the “Shoemaker Family Singers,” along with their parents (the running joke is that their mother had aspirations of creating her own Von Trapp family). Apart from coming together for the occasional Shoemaker Family Christmas album, the Brothers largely pursued their musical endeavors independently. Nathanael wrote “Never Forget” for their oldest brother’s wedding, where he performed it with Samuel accompanying on the violin. The seed had been planted. The Brothers made the decision to officially come together in their current incarnation in December 2007.

When asked to cite their influences, they often bombard their interviewer with a stream of seemingly incongruent artists. They will certainly mention their immense respect and love of classical composers, such as Bach and Chopin, but are quick to make sure that they will not be limited to just these two. Their influences run from Creedence Clearwater Revival to John Legend, from the Rolling Stones to Dave Matthews, from Ray LaMontagne to Metallica. Please don’t make the mistake of trying to pigeonhole them—they simply won’t stand for it. It should be mentioned that in addition to their classical instruments, most of their shows feature the Brothers’ talent on the acoustic guitar, mandolin, Djembe, drum kit, and electric bass.

The Brothers went on their first tour during the summer of 2008, cruising down the Oregon Coast and through Napa Valley—playing music, making connections, and polishing their act. This past November they decided to make their music a full-time career. At the beginning of January they released their most recent, self-titled album while simultaneously beginning their first national tour. Thus far, they have traveled all around the country and have performed everywhere from Seattle to Boise, from Santa Cruz to Los Angeles, from Austin to New York City. They recently began the summer leg of their tour, which will keep them on the West Coast--traveling through Washington, Oregon, Idaho, and California.
Saturday, August 15, 2009


Maggie's Fury combines the rousing melodies of the Irish fiddle and whistle with spirited vocal harmonies likened to Eastern Canadian Maritime traditions. Add a touch of modern folk rock and you have the perfect recipe for Celtic mayhem pack to the kilt with harmony, passion and spirit.

Based in Bellingham, Washington, Maggie's Fury came to life five years ago from the musical passions of brothers Terry and James Walters, and life long family friend Roxanne Read.

"Early on I can remember us trying to decide which angle the band should take," said guitarist James Walters. "Then one sunny afternoon the three of us were at a northwest highland games festival. I can recall us thinking, wouldn't it be great to have a band performing that was vocally charged and got the crowd excited to be here. We need to be that band. From that moment on we began writing songs that combined traditional Celtic elements with modern vocal rock energy. Since then, we have never looked back."

In 2000 the band released their first CD titled "Wherever You Roam". The 10 song freshman debut featured nine original tunes inspired by the bands wanderlust for foreign travel, and one traditional East coast maritime selection. The band also began to expand their sound to larger venues and added Bellingham drummer, Tom Caldwell. Caldwell's upbeat, energized drumming style added the extra punch that the band needed to break into the Northwest club scene. Ready to meet the local music scene head on, the band adopted the name Maggie's Fury, a name more suited toward their fierce developing sound. The name "Maggie" comes from the Walters brothers dearly departed mother.

"Mom always had a love for a gathering," said Terry Walters. "Her fiery spirit and love for people have a tremendous influence on the way James, Roxanne and I write songs. It is very fitting that we name the band after her."

In 2002 the band released their second CD titled "Across the Irish Sea", produced and recorded by Whidbey Island sound guru, David Maloney (Junk Yard Jane and Sister Monk Harem). Where their first CD explored their general love for travel, their second effort took listeners to the source of the band's spiritual homeland, Ireland. "Across the Irish Sea" explored the bands' Celtic roots with upbeat Irish pub songs and traditional Irish melodies.

In 2003 the band added Bellingham fiddle sensation, Howie Meltzer. Howie's passion for the fiddle and traditional know-how have really strengthened the bands Celtic sound.

With fiddler in tow, in 2005 the band recorded their third CD, ...And the Waves Roll On". Named for one of Roxanne's sea faring songs, And the Waves Roll On is a collection of band originals, sea shantys, and traditional tunes that honor the brave souls who have faired the stormy seas.

In 2006 The band added yet another element to their Celtic arsenal. Irish dancer, Heather Turner added her dancing and shaking skills to the bands mix, giving Maggie's Fury audiences a well rounded Celtic experience. Trained in Irish Dance at the University of Limmerick, Heather is a bundle of fire and passion that keeps the band rocking along. When she is not dancing a jig or reel, Heather joins in with her natural percussion talents on drums, shakers, and an occasional tambourine .

The sound of Maggie's Fury continues to grow and reach wider audiences each year, and their diehard fan base remains consistent. So raise a pint at one of their next shows and revel in the spirit of the Celts, as Maggie's Fury provides the musical mayhem.

Sláinte, Cheers!

"Maggie's Fury's 'Pour Another Round' lays it on as thick as Guinness Stout." (Bellingham Herald, Take Five)
Wednesday, August 19, 2009


The Spoonshine Duo featuring Jacob Navarro and William Cook of the popular group, Spoonshine, perform their own brand of home grown roots music the third Wednesday of every month.
Friday, August 21, 2009


The Twisters, one of Canada's best jump blues acts, blow into town featuring some of the top talent in the Pacific Northwest.

Born and raised in San Francisco, Twisters leader, David Hoerl was originally tutored by Rick Estrin in the art of Blues Harmonica. He has since played with some of the best blues musicians in the U.S. and Canada, including: Mike Bloomfield, Albert Collins, Percy Mayfield, Big Mama Thornton, Little Joe Blue, Freddie Roulette, Big Joe Duskin, Pee Wee Crayton, Steve Freund, Carl Weathersby, Phil Guy, Sonny Rhodes and Kenny "Blues Boss" Wayne. In 1982 David came to Canada with Kenny Wayne, and became a landed immigrant in 1986.

As the founding member and sole remaining original Twister, he has received numerous accolades and awards for songwriting, vocals and harmonica playing, including being nominated in 1997, 1998, 2003, 2005, 2006, and 2007 for "Harmonica Player of the Year" by the Toronto Blues Society's "Maple Blues Awards". According to West Coast Blues Review (1995) and Real Blues Magazine (1996-2006) David Hoerl is "Canada's Top Harp Blower".

Young guitarist, Brandon Isaak, has monster tone and technique. He moved from his hometown of Whitehorse, Yukon to Vancouver, BC in 1999, where he joined the Twisters. He has shared the stage with many great blues artists, including Taj Mahal, Lil' Ed and the Blues Imperials, Robben Ford, Canned Heat, Jeff Healy, Big Dave McLean, Rusty Zinn, Colin Linden just to name a few. Brandon toured all over Europe with Joe Louis Walker, Willie Hayes and Ken Faltonson on numerous festivals and TV shows.

Unforgettable is what a performance by stand-up bassist Keith Picot is. Whether singing and leading his own band, or supporting the talent of such bands as The Twisters, Cousin Harley, Joe Dollar and Juno Award winner Kenny "Blues Boss" Wayne, he always gives 110 percent. With a hard hitting slap style all his own he can drive a beat like the devil, then equally and effortlessly draw out the sweet tones of a saint.

Matt Pease credits his hard swinging style to his early influences Buddy Rich and Gene Krupa. Matt grew up in a musical family with a large record collection on Vancouver Island. He moved to Vancouver in 1997, after which he toured with the Michael Kaeshammer Trio in the DuMaurier Jazz Festival. Shortly thereafter he hooked up with Juno Award winner Lee Aaron for three years. He has shared a stage with Edgar Winter, the Wailers, Green Day and the Cherry Poppin' Daddies. Matt studied with the great Canadian drummers Claude Ranger and Don Leppard. He joined the Twisters in early 2005.

Saturday, August 22, 2009


Touring behind their newest release "Covers", the Bill Mattocks band is a tight high energy outfit delivering first rate contemporary blues and blues based rock.
Wednesday, August 26, 2009


Join us for some great Django inspired tunes performed by local favorites Fidalgo Swing. Guitarist and host Allen Lewis will be joined each month by special guests to kick off our very own Djangofest right here at the Rockfish.
Wednesday, August 26, 2009


Join us for some great Django inspired tunes performed by local favorites Fidalgo Swing. Guitarist and host Allen Lewis will be joined each month by special guests to kick off our very own Djangofest right here at the Rockfish.
Friday, August 28, 2009


If you put a Georgia theater chick, a California drummer-turned-banjo player, a Deadhead bass player and a bluegrass fiddler in the same room and say...."alright folks... make some music"'d think that the result would be...well... interesting to say the least. Well , it is far more than interesting. It's Deadwood Revival. A most unlikely group of musicians join together to make some of the most unassuming, honest "feel good" music filled with the spirit of old-time Appalachia, soulful American roots and a hint of jam-band improvisation.

Deadwood Revival came onto the scene as a duo in early 2005 when Kim Trenerry and Jason Mogi, after years of co-fronting their own folk rock jam band found a new love...that of old time Appalachian music. Combining their rock background with old time gave Kim and Jason their reputation as "one of the hottest duos around". Hundreds of concerts and festivals, four west coast tours, and two cd's later...Kim and Jason reconnected with long time friend, bassist Ches Ferguson in June 2007 and the duo became a permanent trio. In late 2007, DwR met former "Looking Glass" fiddler, Julie Campbell, who brings her fierce fiddle playing to the DwR sound at select concerts and festivals.

Jason's clean, percussive clawhammer banjo coupled with his homemade "stomp board", Julie's energetic and engaging fiddling along with Kim and Ches's driving rhythm on acoustic guitar and electric bass is the musical backdrop for Kim and Jason's powerhouse vocal harmonies that give Deadwood Revival its unique and unmistakable sound. Frank Gutch of the Folk and Acoustic Music Exchange says of DwR..."You can tell from the first note that they are crowd-pleasers. They're fun, adventurous and yet true to their roots."

This group of talented musicians not only displays fine musicianship, they are talented songwriters as well having released two cd's in less than two years. Their self titled debut cd "Deadwood Revival" and their latest, "This Old World" have both received rave reviews and radio airplay across the US and Canada. Whether a rockin' hoe down or a tasty ballad, their original tunes have been described as "old timey with smokin' hooks". Their songs are uplifting, sometimes poignant, and often sound like they could have been written a hundred years ago. DwR also breathes new life into a variety of old time fiddle tunes, folk tunes, and even some Grateful Dead tunes with clever arrangements and moments of improvisation with the clawhammer banjo often taking the lead role. In addition to the banjo, Jason's "other voice" is the clean, vintage sound of his 1959 Danelectro (and he plays a mean harmonica too!)

As if the music itself weren't enough, the positive energy they exude...that unknown a large part of what draws people in and keeps them coming back again and again. The joy they put into their music reflects back to the fans who take with them feelings of happiness, positivism, and inspiration.

So, come check out Deadwood Revival for a foot stompin', banjo pickin', harmony singin', spirit liftin' "spin on traditional bluegrass that even a rock apostle shall dig".
Saturday, August 29, 2009


Mike is new on the scene, so to speak, but he’s spent years on the road in a former life playing diverse venues. At twenty-three he hit the road with his brother-in-law, and as part of Salmond and Mulder found unusual stages across the nation - clubs, churches, coffee houses, stadiums. After two thousand concerts and seven years as part of a duo, Mike took a long hiatus. Now, with three respectable solo Cds to his credit and remarkable momentum as a veteran of classic songwriting, Mike considers himself to be a re-emerging elder statesman in a music field often looking for roots. Mike’s music has roots that go deep into the heart of the American soul.
320 Commercial Ave. | Anacortes, Washington
360-588-1720 | MAP
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